Jason Arment reviews the film The Golden Glove, an adaptation of a novel about serial killer Fritz Honka who murdered women between 1970 and 1975. (Strand Releasing)
Jason Arment reviews the film Motherless Brooklyn, written (screenplay adaptation), produced, directed by and starring Edward Norton. (Warner Bros. Pictures)
Jason Arment examines the movie Joker and illustrates what mainstream critics failed to see, or at least what they failed to connect as current, real-world events.
Joaquin’s Joker is an ugly, purposeless film, one that attempts to take us through the transformation into pure evil, but comes up well short.
Jason Arment reviews Knife+Heart (2018), seen in tandem with Equation to An Unknown (1980), both French films involving gay pornography. (Altered Innocence)
Jason Arment reviews Tigers Are Not Afraid, a Spanish-language horror mystery film directed by Issa López. (Filmadora Nacional Peligrosa)
Jason Arment reviews The Fanatic, a psychological thriller directed by Limp Bizkit’s Fred Durst and starring John Travolta. (Quiver Distribution)
Jason Arment reviews Ready or Not, a black comedy horror film about a newlywed swept up in her new family’s wedding ritual. (Walt Disney Studios Motion Pictures)
Jason Arment reviews The Mountain, a film loosely based on the lobotomist Walter Freeman about a tour to promote his recently-debunked procedure. (Kino Lorber)
Jason Arment reviews Luz, a supernatural horror film by Tilman Singer that pays homage to horror films that have come before. (Yellow Veil Pictures)