James Jay Edwards reviews At Night Comes Wolves, an American horror thriller film written and directed by Tj Marine. (Gravitas Ventures)
Honeydew Rehashes and Refreshes Tired Old Horror Tropes
James Jay Edwards reviews Honeydew, an American horror film written and directed by Devereux Milburn. (Dark Star Pictures, Bloody Disgusting)
Godzilla vs. Kong Serves Up the Monster Bashing Action
James Jay Edwards reviews Godzilla vs. Kong, a new monster film directed by Adam Wingard, and starring Godzilla and King Kong. (Warner Bros., Legendary Pictures)
The Yellow Wallpaper Turns a Feminist Text into a Psychological Horror Film
James Jay Edwards reviews The Yellow Wallpaper, a new film adaptation of Charlotte Perkins Gilman’s 1892 short story, directed by Kevin Pontuti. (Hysteria Pictures)
Test Pattern Is Blunt, but It Makes Its Points
James Jay Edwards reviews Test Pattern, a dramatic film written and directed by Shatara Michelle Ford, starring Brittany S. Hall and Will Brill. (Kino Lorber)
Wrong Turn Re-Imagines a Modern Classic
James Jay Edwards reviews Wrong Turn, a horror film directed by Mike P. Nelson and written by Alan McElroy, starring Charlotte Vega and Matthew Modine. (Saban Films)
Wheels Puts a Stylish Spin on an Age-Old Story
James Jay Edwards reviews Wheels, a coming-of-age film written and directed by Paul Starkman and starring Arnstar and Shyrley Rodriguez. (1091 Pictures)
Jordan Graham’s Sator Is a Deeply Personal Nightmare
James Jay Edwards reviews Sator, a supernatural horror film written and directed by Jordan Graham and starring Michael Daniel and Gabriel Nicholson. (1091 Pictures)
The Mauritanian Tells a Safe but Powerful Story
James Jay Edwards reviews The Mauritanian, a legal drama film based on the memoir Guantánamo Diary by Mohamedou Ould Salahi. (STXfilms)
Saint Maud Lives Up to Its Long-Awaited Hype
James Jay Edwards reviews Saint Maud, a psychological horror film written and directed by Rose Glass and starring Morfydd Clark and Jennifer Ehle. (A24)