James Jay Edwards reviews The Gentlemen by Guy Ritchie, a film that returns to his roots in the action crime caper genre.
Sam Mendes Immerses His Audience in the Frontlines of War With 1917
James Jay Edwards reviews 1917 by Sam Mendes, a film inspired by the actions of his grandfather during World War I.
Cats Is a Fever Dream That Is Destined to Become a Cult Classic
James Jay Edwards reviews Cats, a film adaptation of the stage musical by Andrew Lloyd Webber, which itself was an adaptation of T.S. Eliot poems. (Universal Pictures)
Film Review: The Golden Glove
Jason Arment reviews the film The Golden Glove, an adaptation of a novel about serial killer Fritz Honka who murdered women between 1970 and 1975. (Strand Releasing)
Film Review: Motherless Brooklyn
Jason Arment reviews the film Motherless Brooklyn, written (screenplay adaptation), produced, directed by and starring Edward Norton. (Warner Bros. Pictures)
Joker: What Mainstream Critics Miss & Why They Miss It
Jason Arment examines the movie Joker and illustrates what mainstream critics failed to see, or at least what they failed to connect as current, real-world events.
Joaquin’s “Joker” Is No Laughing Matter
Joaquin’s Joker is an ugly, purposeless film, one that attempts to take us through the transformation into pure evil, but comes up well short.
Film Reviews: Knife+Heart versus Equation to An Unknown
Jason Arment reviews Knife+Heart (2018), seen in tandem with Equation to An Unknown (1980), both French films involving gay pornography. (Altered Innocence)
Tigers Are Not Afraid Brings Magical Realism to Tragedy
Jason Arment reviews Tigers Are Not Afraid, a Spanish-language horror mystery film directed by Issa López. (Filmadora Nacional Peligrosa)
A Stalking Horse Vehicle for John Travolta and Fred Durst
Jason Arment reviews The Fanatic, a psychological thriller directed by Limp Bizkit’s Fred Durst and starring John Travolta. (Quiver Distribution)